Akai MPC 60 Manual del operador Pagina 25
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Chapter 2: The Basics
Page 19
============ Select Program ===========A
Active program: 1-PROGRAM_NAME
========== Assign Note:41/A08 ==========
Sound:BIG_BAD_DRUM Mode:NORMAL
General MIDI name for note:LO FLOR TOM
========================================
<Play>
2. Move the cursor to the Active Program field. It should display 1. Select
program 2 using the data entry knob.
3. Play the sounds in program 2: Select Pad Bank A and play the
sounds, then select Pad Bank B and play the sounds, then play bank
C, then bank D.
4. Repeat step 3, except select program 3 and play the sounds. Repeat
this procedure to hear the other programs.
5. To return to the Play/Record screen, press MAIN SCREEN.
The Note Variation Slider (the new name for the Hihat Decay
Slider) andAFTER key
In Version 3 software, the MPC60’s Hihat Decay Slider is called the Note
Variation Slider because its function is expanded beyond merely altering
the decay of the hihat sound as in Version 2 software.
The Note Variation slider can now be used in real time to change the
tuning, attack, or decay of a sound played from a single pad. Once the
slider is assigned to single pad and parameter, moving the slider while
playing the pad will cause the sound’s tuning, attack, or decay to be
determined by the current slider position.
Here are some examples of uses of Note Variation:
1. The slider can control decay for a hi-hat sound. This would simulate
the action of a drummer’s hi-hat pedal, allowing a unique hi-hat decay
time each time the pad is played.
2. The slider can be assigned to tuning for a tom tom sound. By moving
the slider while playing the tom pad, a wide range of tom tunings is
possible.
3. The slider can control a sound’s attack time (the amount of time it
takes to fade in). This is useful for adding subtle variations to a sound
or producing special effects.
How to Assign the Note Variation Slider
To assign the Note Variation Slider to a pad and parameter, press the
SOUNDS key, then 3. The following screen will appear:
- Operator’s Manual 1
- Table of Contents 3
- Chapter 1: 7
- Introduction 7
- Welcome! 8
- Hooking Up Your System 16
- Getting Around on the MPC60 17
- Note Number, and Program 20
- Selecting Programs 24
- Slider) andAFTER key 25
- The 16 LEVELS key 27
- Chapter 3: 31
- Recording 31
- Sequences 31
- How Sequences are Organized 32
- The Play/Record Keys 40
- Pattern 43
- Sequence 45
- Errors, Swing Timing 49
- The Note Repeat Feature 51
- Tempo and the TEMPO/SYNC Key 53
- Mid-Sequence Tempo Changes 56
- The TAP TEMPO Key 57
- The AUTO PUNCH Key 60
- The 2nd SEQ Key 62
- The OTHER Key 63
- Chapter 4: 71
- Editing Sequences 71
- The ERASE Key 72
- Initializing a Sequence 74
- The EDIT Key 77
- Rearranging the Track Order 78
- Copying Bars (All Tracks) 80
- Copying Events 81
- The STEP EDIT Key 91
- Using Step Edit 92
- Step Edit Event Types 93
- Step Edit Options 97
- Step Recording 100
- The EDIT LOOP Key 101
- The TRANSPOSE Key 103
- Overview 106
- , this is the SMPTE 107
- What Are Programs? 114
- The Stereo Output Mixer 130
- Sampling a New Sound 142
- Ground Low High 144
- Editing a sound 147
- Page 147 153
- Audio Trigger 154
- Stereo Sampling 155
- Sound Compression 158
- Saving Files 162
- Formatting a Floppy Disk 188
- Floppy Disk Errors 189
- External Hard Disk Storage 190
- The SYNC Screen 196
- Syncing to MIDI Clock 203
- Syncing to SMPTE 203
- Syncing to MIDI Time Code 205
- Syncing to FSK24 206
- Syncing to 1/4-note Clicks 207
- Pedal Processing 212
- MIDI Input Filter 215
- Turning All Notes Off 219
- Appendix 223
- Contents of Disk Files 229
- MPC60 Options 233
- Sequencer 234
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