Akai MPC 60 Manual del operador Pagina 196
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Chapter 10: Syncing to Tape and Other Devices
Page 190
The SYNC Screen
To access the sync input and output settings, press the TEMPO/SYNC
key, followed by the <Sync> soft key. The following screen will be
displayed:
===== Sync In ====== ==== Sync Out ====
Mode:MIDI CLOCK MIDI clock:OUT A
Shift early(msec):20
MIDI input:2
Song pointer:ON
==================== ==================
<SyncIn=OFF> <GenSMPTE>
This screen has two sections, Sync In and Sync Out.
The Sync In section
The left side of the Sync screen shows all settings related to slaving the
MPC60 to an external source. There are five possible sync input signals:
1. MIDI CLOCK:
This is the standard method of syncing two MIDI devices together.
Since the sync signal is only sent over MIDI, this method cannot be
used with tape. When the MPC60 is slaved to MIDI clock, the internal
tempo settings are not used, because MIDI clock provides the tempo
information.
2. SMPTE:
SMPTE timecode is a standard sync code used in video, film,
and music. SMPTE code contains information about absolute elapsed
time, but no tempo information. So when syncing to SMPTE, the
MPC60’s internal tempo settings are used. When syncing to SMPTE,
always use the same tempo setting each time you play the sequence or
song. Tip: using the SEQ (sequence) tempo mode (set in the Tempo
Source field of the Play/Record screen) will ensure that your sequences
will play at the desired tempo, because that tempo is stored with the
sequence disk file.
3. MIDI TIME CODE:
MIDI Time Code is similar to SMPTE timecode except that the timing
information is converted into a signal that is sent over MIDI. As such,
it cannot be recorded on tape.
4. FSK24:
- Operator’s Manual 1
- Table of Contents 3
- Chapter 1: 7
- Introduction 7
- Welcome! 8
- Hooking Up Your System 16
- Getting Around on the MPC60 17
- Note Number, and Program 20
- Selecting Programs 24
- Slider) andAFTER key 25
- The 16 LEVELS key 27
- Chapter 3: 31
- Recording 31
- Sequences 31
- How Sequences are Organized 32
- The Play/Record Keys 40
- Pattern 43
- Sequence 45
- Errors, Swing Timing 49
- The Note Repeat Feature 51
- Tempo and the TEMPO/SYNC Key 53
- Mid-Sequence Tempo Changes 56
- The TAP TEMPO Key 57
- The AUTO PUNCH Key 60
- The 2nd SEQ Key 62
- The OTHER Key 63
- Chapter 4: 71
- Editing Sequences 71
- The ERASE Key 72
- Initializing a Sequence 74
- The EDIT Key 77
- Rearranging the Track Order 78
- Copying Bars (All Tracks) 80
- Copying Events 81
- The STEP EDIT Key 91
- Using Step Edit 92
- Step Edit Event Types 93
- Step Edit Options 97
- Step Recording 100
- The EDIT LOOP Key 101
- The TRANSPOSE Key 103
- Overview 106
- , this is the SMPTE 107
- What Are Programs? 114
- The Stereo Output Mixer 130
- Sampling a New Sound 142
- Ground Low High 144
- Editing a sound 147
- Page 147 153
- Audio Trigger 154
- Stereo Sampling 155
- Sound Compression 158
- Saving Files 162
- Formatting a Floppy Disk 188
- Floppy Disk Errors 189
- External Hard Disk Storage 190
- The SYNC Screen 196
- Syncing to MIDI Clock 203
- Syncing to SMPTE 203
- Syncing to MIDI Time Code 205
- Syncing to FSK24 206
- Syncing to 1/4-note Clicks 207
- Pedal Processing 212
- MIDI Input Filter 215
- Turning All Notes Off 219
- Appendix 223
- Contents of Disk Files 229
- MPC60 Options 233
- Sequencer 234
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