Akai CD3000XL Manual del operador Pagina 32
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SINGLE MODE
Page 26 S3000XL Operator’s Manual
complex keyboard splits and layers without having to concern yourself with
the intricacies of setting keygroups within a program itself. Please note
that this parameter has no effect on single programs, it is only when two or
more programs have the same program number that it is effective.
This is an abbreviation of POLYPHONY and allows you to limit the
polyphony of a program.
This is an abbreviation of PRIORITY and allows you to set how notes will
be ‘stolen’ by other programs if the 32 voice polyphony is exceeded.
There are four settings: LOW, NORM, HIGH and HOLD. If the program is
set to LOW priority, then notes from this program will be stolen first. If set
to HIGH, then notes from other programs with lower priority will be stolen
first before they are stolen from this program. NORM is, of course, normal
priority and sets standard dynamic voice allocation and note stealing will
take place with no particular priority. If a program’s priority is set to HOLD,
then notes can only be stolen from this program by the same program.
If you are playing a complex piece of music using many programs in a
multi-timbral configuration, it is a good idea to set important programs to
HIGH or HOLD and less important, background programs to LOW. If the
piece of music is not overly complicated and polyphony is not going to be
exceeded, you may prefer just to leave the priority at the default setting of
NORM.
This is an abbreviation of TRANSPOSE and sets the basic octave range
for the program. The range is +/- 50 semitones. You will note that this is
not a pitch shift function as such but a MIDI transpose function - this
overcomes the problem of playing back samples out of their range. What
this function does is introduce an offset so that, even if you play C3 on the
keyboard, this is offset to play the samples on C4 (with a +12 setting) - it is
not playing the samples on C3 an octave higher.
NOTE: It must be said that this page is really an inheritance from earlier Akai samplers
when using multi-timbral setups. We strongly recommend that for such purposes, you use
the MULTI mode but retaining these functions ensures compatibility with data created on
earlier models. If you have used Akai samplers before, you may continue to work in this
way, of course, but, as mentioned, the new MULTI mode may be more convenient
SETTING PROGRAM LOUDNESS AND VELOCITY
In the page, you may set the program’s overall loudness and velocity sensitivity:
The parameters are:
This sets the overall loudness for the program and affects the level
appearing at the main left/right outputs, the individual outputs and the
real-time digital audio output. It will also affect the level going to the
internal effects.
- INTRODUCTION 10
- ENT/PLAY 23
- MAIN VOLUME 24
- REC GAIN 24
- SINGLE MODE 29
- MULTI MODE 43
- EDIT PROGRAM - SINGLE 100
- EDIT PROGRAM - MULTI 120
- LOOP ZONE LOOP LOOP LOOP 123
- EDIT SAMPLE 131
- EFFECTS MODE 165
- EFFECTS: 165
- EFFECTS EDIT 179
- is selected in the field 258
- APPENDIX 1 285
- APPENDIX 2 287
- APPENDIX 3 289
- APPENDIX 4 291
- APPENDIX 5 307
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