Akai RE32 Manual del operador Pagina 144
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134 Version 1.00
DISK MANAGEMENT
If the audio associated with a project on a removable disk is on another hard disk and the removable
disk is not in the system when you run CLEANUP, what will happen is that the system will search
through all the projects/libraries it can find on the system in order to establish what audio should be
kept and what should be deleted. Of course, it won’t find the removable disk because it is missing
and so assumes that all the audio that it can find on the hard disk(s) related to the project on the
removable (which is missing, of course) is unreferenced and will therefore delete it. When you
come to insert the removable disk and try to play it, it will show that all the audio associated with it
is missing and the project will be rendered unplayable.
Press EXIT to abort or, if you are sure you can proceed safely and no disks are missing from the
system, press SHIFT+EXECUTE but...
BE VERY CAREFUL BEFORE PROCEEDING AS YOU MAY IRRETRIEVABLY DESTROY
A PROJECT ON A DISK MISSING FROM THE SYSTEM.
During the cleanup process, the bottom of the LCD will show:
The cleanup process will delete all unused audio on any disk connected to the system. Depending
on the amount of unused audio, this could take a while so do this is in a quiet moment!
NOTE: If all this looks a bit worrying, our apologies but these prompts are provided to safeguard
against you accidentally losing valuable data. The fact is that there is no good reason why you
should have your project on one removable disk and all the audio associated with it on another
and it is a practice that should be avoided. Presumably, the reason a removable disk is used is
so that it can be taken elsewhere for playback. If all the audio exists on another disk, then it
won’t play anywhere else successfully.
MINIMISE DISK
This will also erase any unreferenced audio on the disk but will also ‘top and tail’ the recordings,
discarding any audio that is not actively referenced to any project and/or library. This is the most
efficient cleanup routine as it gets rid of ANY audio not being used leaving you only with the audio
that is actually relevant to any projects and/or libraries on disk(s). Pressing MINIMISE will give this
prompt:
Because the machine has to go round and top and tail every piece of audio affected by the MINIMISE
function, it can take a long time. After that, it has to ‘fix up’ all the cues that have been affected in
all the projects/libraries and this will also take time. The exact length of time, of course, depends
on the amount of audio being minimised but it is recommended you do this at the end of the day,
maybe even leaving it to run overnight!
** IMPORTANT **
The MINIMISE function cannot be aborted once you have started it.
DO NOT, UNDER ANY CIRCUMSTANCES, SWITCH THE SELECTED MACHINE OFF
DURING MINIMISE.
IN THE EVENT OF ACCIDENTALLY PROCEEDING WITH THE MINIMISE FUNCTION
AND THEN CHANGING YOUR MIND, ONCE THE PROCESS HAS STARTED, IT WILL
HAVE TO BE LEFT TO CONTINUE THROUGH TO THE END.
SWITCHING THE SELECTED MACHINE OFF DURING THE MINIMISE PROCESS WILL
CAUSE IRREPARABLE DAMAGE TO YOUR DATA!!
- Operator’s Manual 1
- Important Notice 2
- IMPORTANT 4
- Page vii 8
- Page viii 9
- FEATURES 11
- INTRODUCTION 11
- POWERING UP THE RE32 SYSTEM 19
- PANEL LAYOUT 20
- VGA DISPLAY 22
- NAVIGATING THE RE32 25
- CURSOR KEYS 25
- TRACK ZOOM KEYS 26
- SCROLL VIEW KEYS 26
- NUMERIC KEYPAD 27
- EDITING NUMERIC FIELDS 27
- ENTERING TIMECODE VALUES 27
- DATA ENTRY/NUDGE KEYS 28
- USING THE SOFT KEYS 28
- Version 1.00 19 29
- GETTING AROUND A PROJECT 31
- TRANSPORT KEYS 31
- LOCATE FUNCTION 31
- NEXT/PREVIOUS CUE 31
- JOG WHEEL 32
- JOG/SPOOL SET 32
- EDIT REGION 34
- SELECT CUE 34
- GETTING STARTED 35
- BASIC SYSTEM SETTINGS 36
- FORMATTING DISKS 38
- VGA SETUP 41
- RECORDING 45
- BASIC RECORDING 45
- UNDOING A RECORDING 46
- ADVANCED RECORDING 47
- RECORD DISKS 50
- RECORD TYPE 51
- PUNCH-IN PUNCH-OUT 55
- PLAY PLAYMUTED 55
- ORIGINAL RECORDING 55
- NEW RECORDING 55
- INPUT ROUTING 57
- INPUT ROUTING - DR16 58
- INPUT ROUTING - DD1500 60
- PLAYBACK 63
- PLAYING BACK AUDIO MATERIAL 63
- PLAY FROM 64
- PLAY IN>OUT 64
- MUTING TRACKS 65
- SOLOING A TRACK 65
- Version 1.00 57 67
- Clear entire locator? 68
- AUTOLOCATOR 69
- Version 1.00 61 71
- SELECT Q KEY 72
- Version 1.00 63 73
- MULTI-MACHINE EDITING 74
- MULTI- MACHINE EDIT 74
- COPYING A REGION 74
- MULTITRACK PASTE 76
- MULTITRACK INSERT 76
- MULTITRACK OVERLAY 77
- BEFORE SPLIT 79
- AFTER SPLIT 79
- CUE 1 CUE 2 79
- SINGLE MACHINE EDIT 80
- EDIT CLIPBOARD 80
- COPY TO CLIPBOARD 82
- CUT TO CLIPBOARD 84
- ERASE TO CLIPBOARD 86
- PASTE FROM CLIPBOARD 88
- INSERT FROM CLIPBOARD 90
- OVERLAY FROM CLIPBOARD 92
- MOVE REGION 93
- NUDGING IN/SYNC/OUT TIMES 94
- NUDGING AUDIO 94
- UNDOING A NUDGE 95
- NUDGE SET (SHIFT+NUDGE) 95
- SPLIT CUE 96
- IN->NOW (SHIFT+IN) 97
- SINGLE-MACHINE EDITING 100
- EDIT PLAY KEYS 100
- SELECT CUE/EDIT CUE 101
- EDIT TOOLS 105
- CROSSFADE TOOLS 105
- DISK MANAGEMENT 108
- SAVING PROJECTS 108
- The options available are: 114
- DISK UTILITIES 115
- DISK INFO 115
- DISK DIRECTORY 116
- COPYING FILES/DISKS 117
- DELETE FILES 121
- RENAMING FILES 122
- BACKING UP YOUR WORK 123
- FORMATTING A TAPE FOR BACKUP 124
- BACKING UP SELECTED FILES 126
- BACKING UP AN ENTIRE DISK 127
- PERFORMING THE BACKUP 128
- VERIFYING A BACKUP 130
- RESTORING A BACKUP 131
- PERFORMING A RESTORE 132
- RESTORING THE ENTIRE BACKUP 135
- NOTES ABOUT BACKUP/RESTORE 136
- ARCHIVING DATA TO DAT 139
- CLEANUP DISK 143
- MINIMISE DISK 144
- DISK COMPATIBILITY 146
- PROTOOLS IMPORT 147
- SYSTEM SETUP 151
- SETUP - MULTI 152
- RECORD SETUP 155
- CREATING A MIDI TEMPO MAP 160
- DELETING TEMPO MAP STEPS 161
- LOCATING TO STEPS 161
- SYNC SETTINGS 168
- USER KEYS 178
- RC15 CONNECTION 180
- SYNCHRONISATION 181
- SYNCING TO EXTERNAL TIMECODE 181
- SETTING TIMECODE OFFSETS 182
- VTR locate offset : 185
- 176 Version 1.00 186
- Version 1.00 177 187
- 178 Version 1.00 188
- SPECIFICATIONS 189
- 180 Version 1.00 190
- 182 Version 1.00 192
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